Rhena Writes

Tag: creative-writing

  • On receiving (yet another) rejection

    I think I’m up to nearly thirty “nos” on writing submissions over the past couple of years. And not a single “yes” from someone other than myself. I’m not going to sugar coat anything here: it’s rough to receive all those rejections. I’ve had more than one time when I’ve just felt like giving up. How have I not?

    1. I have a writing community now, to boost me up and keep me focused on what’s important when I receive another rejection. For a long time I was going at it without any real community support and that was when I pretty much gave up on submitting. I joined my community (The Sanctuary for BIPOC women writers) without any real intention of submitting again. I just wanted to write. Of course, having a writing community meant that I was regularly reminded of the importance of writing and creating. Paradoxically, it also reminded me that I’m first and foremost writing for myself. Which leads me to …
    2. The greatest and primary beneficiary of my writing is me. The vast majority of my words will never see the light of day — or at least I write them without the intention of them going beyond my own eyes. Yet these words are still valuable. And this practice still benefits me. By the time I get to submitting something, all of those words have already served their primary purpose of guiding me towards a revelation, a sense of self, a lesson, and/ or a healing. They’ve already done their work. What someone else thinks of them, whether they get “chosen” or not is irrelevant.
    3. I am a writer. I am a writer because I call myself a writer. In my case, I also happen to write every day. And this month I’ve been writing a minimum of words because I’ve been participating in a November challenge in my community. But to call myself a writer doesn’t even rely on that specific daily word count. It doesn’t even rely on myself writing every day. And it certainly doesn’t rely on someone else agreeing to publish my writing. A few months ago, I was on the metro and a man came up to me. He asked me if I was an artist. I said no. I turned out he was an artist and thought I looked like one too. We got to talking and he asked me what I do. My canned response in these moments is usually “stay at home mom” (which is also true) but this time “I’m a writer” popped out of my mouth. I genuinely surprised myself with that one. But the bigger surprise was that I didn’t equivocate and I genuinely believed it when I said it. I’m a writer.
    4. I write every day. And if nothing else, a rejection is a reminder to me that I’ve not only been writing every day, but in some cases I’ve sent my writing out into the world. That takes courage. My writing reminds me that I’m a courageous person and, yes, even the rejections remind me of that too. That daily writing is so engrained into my habit that I hardly notice these little rejection blips. Compared to the ocean of words that I’ve written over my lifetime, the few thousand that comprised that particular submission are a mere drop.
    5. I do a bunch of other stuff too and I’m also a bunch of other people. Yes. I’m also a mother (and a pretty good one made better by my writing; just this morning I had a talk with my daughter about a poem I’m working on). I also go on walks and have long, serious talks with trees and plants on my walks. I knit. I play guitar. I make really good chai. I read. A lot. For enjoyment. When I received my latest rejection, I was just about to do my daily yoga practice. For a brief moment, I considered putting it off to write or take a closer look at the piece of writing that had been rejected. I considered quickly figuring out some other places to submit it (getting back on the horse is also a beneficial practice) but I went and did my yoga practice instead. I’m grateful that I have it there to keep things in perspective.

  • Critical Response Process (aka “Gentle Workshop”)

    I learned this alternative process for a writing workshop from the poet, teacher, and writing mentor Ariana Brown. These are the five steps:

    1. The readers (viewers/ audience/ workshop mates) give statements of meaning.
    2. The writer (artist/ speaker/ performer, etc..) asks questions and can state their goals.
    3. The readers pose neutral (non-judgmental) questions and the artist can respond to those questions.
    4. The readers ask for consent to share opinion statements, ideas, suggestions. If the writer consents, the reader shares their thought.
    5. The writer can answer the question: “What are your next steps?”

    I’m going to delve a bit more deeply into how each of these five steps work and to give more information about my experiences with workshopping my writing both with a more “traditional” style of feedback and using Critical Response Process.

    I have an MFA in writing and a BS in English Education. I’ve experienced writing workshop since I was in elementary school and studied how to give feedback as a teacher and I’ve received feedback as a student in various workshops. For the most part the way that I’ve experienced feedback has been what I view as “traditional.” The workshop is comprised of a group of writers and one teacher/ leader/ expert writer. Each week (or however often they meet), writers turn in their writing so that the whole group has time to read ahead of meeting. In the meeting, each of the pieces that was shared ahead of time is “workshopped”.

    Up until this point, the Critical Response Process and the traditional workshop are the same. Here’s where they diverge.

    In the traditional workshop (as I have experienced it), each reader comments on the piece in turn. Other than clarifying questions, the writer is largely silent. In general, each reader shares their thoughts in a “compliment sandwich”: a positive comment, a suggestion, and then concluding with another positive comment. I’ve never had a workshop leader say that this is how it must be done, but it seems that everyone kind of just defaults to this way of commenting. Once everyone in the workshop has shared their thoughts, the workshop leader then usually wraps up the discussion with some sort of unifying overarching comments about the piece. At some point, the writer will have a one-on-one meeting about their writing with the teacher. (Of course, some writing workshops are peer-to-peer in which case there’s no private meeting and no one wraps up the discussion in a sort of “expert” way.)

    In retrospect, I can see how this format is not centered on the artist and their needs. The comments, at times, were rather arbitrary and based more on what the workshop mates wanted to talk about than what the artist needed.

    My experience with the Critical Response Process was very different. Here are some examples of how each step might be worded.

    1. Statements of meaning might include particular phrases or sentences, lines or images that resonated for the reader. It might also include what the reader took away from the piece of writing. Not everyone must comment during this part of the process. I found this to be a very nurturing and supportive place to start the whole process.
    2. The writer or artist might ask how the readers responded to specific images, language, moments, the form, etc… of the piece of work. They might ask for help sorting through parts they found particularly tricky or if the reader needed more explanation. I found this very helpful as a writer because it allowed me to ask for help where I needed it rather than just waiting to see if someone else brought it up. In addition, as a reader, it was helpful to learn where the writer specifically wanted help.
    3. Some examples of neutral questions, “How did you choose this topic?” “How did you decide what form to use?” “Where did you get your inspiration for this line?” I experienced this part of the whole process as driven by genuine curiosity. As a writer, it actually felt good that the readers were so curious about my process and my decisions. And as a reader, this often lead to rich discussions about process and a way to learn about other artists and how they work.
    4. At first, I was confused about asking for consent, but once I saw it modeled for me, it made sense. “I have an opinion about the title of this piece. Would you like to hear it?” Or “A piece of writing that reminds me of your poem. Can I recommend something that you might want to read?” Or “I have an idea about where you might submit this work. Would you like to know about that?” It was all very gentle and, for the most part, it just gave the writer more ideas and just furthered the discussion of their work and often contextualized it in a very empowering way. And once I saw it in action, I understood the consent piece. As a writer, I understood how maybe sometimes I just wasn’t in a place where I wanted to hear an opinion about something about my work and it was empowering to know that I could disregard what was said. Also, as a reader, it slowed down my response and reminded me that the person on the other side of the Critical Response is a human being.
    5. It was very nice to end the discussion back with the artist rather than the “expert” or “leader”. To me that was an empowering part of the experience and it served as a reminder that, actually, when it comes to my writing, I’m the expert.

    I found this process of giving and receiving feedback to be much more focused on the need’s of the artist, gentler, and more supportive than the more “traditional” workshops that I had experiences. I’ve also found that I can use a similar process to edit and revise and look at my own work. I don’t always need a whole group. And this has made me much gentler with my own writing.

  • A Daily Journal Writing Practice

    It’s been about five years now that I’ve been keeping a handwritten journal. In the last few years I’ve become consistent with it. And in the last two years I’ve become downright religious about it, building up a habit where writing each morning has become automatic. I look forward to it.

    Recently, I’ve been writing the date in Thai and Norwegian because those are two languages I’m working on learning and/ or improving. So it’s become an opportunity to learn and improve in those arenas. The hope is that after a year of doing this everyday, at least the days of the week and the months of the year are locked into my memory. I find something intensely satisfying about breaking large, seemingly impossible endeavors (such as learning a language) into smaller and smaller, very possible tasks.

    I write by hand. I also find this intensely satisfying. It slows me down but at the same time, I rarely if ever cross things out. What comes out on the page, comes out on the page. It’s unlike typing in the way. In this paragraph alone, I’ve probably hit the delete key at least two dozen times to fix errors or change words. But there’s a certain amount of acceptance that comes with writing by hand. I often just write an ellipses or even “I don’t know” or “ugh.” And that stands. I don’t really look back at the previous entries even though it would be east enough to do so. Perhaps some day I will. And I hope that what I see is how far I’ve come.

    For most of my life, I wasn’t comfortable with writing in a journal. I had a few experiences when I was younger when someone else read my journals. The reactions made me feel like it wasn’t a good idea for me to write down my thoughts, ideas, feelings, and experiences. All those missed years of those writing make me sad. But they don’t detract from the writing in my journal that I do now. In fact, it probably makes me more grateful that I have this ritual now.

    I write about what’s on my mind and things that are bothering me. And in writing about them, they bother me less. My problems feel smaller, more manageable when I can put them into words on a page. Sometimes I even come to some sort of solution or even just a new way of looking at situations.

    I get to know myself through the pages of my journal. And what I’m finding is that I’m a very reliable person, for myself at least, which is the most important thing. I return to my journal pages every morning and sometimes through the day. And I always find a steadiness. Consistency. I’m always here for myself. And even when I don’t have an answer, I listen well and deeply to myself.

  • On spoons and hurts; words and truth. (A Prose Poem sort of a thing.)

    Daily writing prompt
    Do you have any collections?
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    I once knew someone who collected small decorative spoons. Apparently this was a thing that people did. Or maybe still do. At least, that’s what I was led to believe when I expressed my confusion when I learned of this spoon collection. Apparently, many places, or at least the places where this person had been, sell these spoons as souvenirs.

    I think perhaps they kept their spoons in a velvet-lined box. I’m actually not sure if they showed me such a box or if I just made that up. My understanding is that the spoons were not used for anything. They were just kept. Maybe this person and his family (I think the spoon collecting was something of a group project for them) pulled them out every so often to clean them and reminisce about where they had acquired each spoon. And maybe that is purpose enough. Maybe some objects spark memories, conversations even connection.

    Anyway I’ve never collected spoons.

    I do have horrible habit of collecting hurts. You know, things that have been said or done to me that have been unfair or mean. I squirrel them away in my heart and then every so often pull them out to shine them and examine them so that I learn their every shape and crag. That way I can place them in juuuust the right spot in this wall that I’m building. At least such a collection has a practical purpose. That wall is high and strong. I am safe inside where I can keep an even more useful collection: bits and pieces of information about myself, moments of solid happiness and contentment, bright and shiny truths.

    I collect words and sentences, compile them into their velvet boxes, maybe give them a good shake. What words and images will I pull out from my collection this time? Will they be true?

    Maybe they will inspire me to tap out a bit of mortar or even a whole rock from the wall of hurts. I’ll slip the words out through the hole. They’ll glisten and shimmer, a sort of flashlight morse code. I-M-H-E-R-E they will spell out. I’m here.

    *********************

    If you enjoyed what you’ve read here, please check out other posts. Likes, shares, and reposts help get my writing out to where it needs to be. I’m also grateful for financial support. Even though I post about daily, I only send out a once a week summary email to subscribers. Thank you!

  • Those who ignored, disregarded,counted me out

    Daily writing prompt
    Share a story about someone who had a positive impact on your life.
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    Many upon a many a time … I was sharing something that I was excited and passionate about. Many upon a many a time, I was ignored. Or disregarded. Or told I was wrong and told that I’d never get it right. Maybe there was laughter, the cold kind. Sometimes there was a simple turning away. Sometimes there was a red pen, the words, “no it doesn’t”, an interruption.

    I’m not going to pretend that those moments didn’t hurt. They did. A chilly shot of the realization that this person couldn’t give me what I needed in that moment. But brief hurts were necessary to learn what I needed, to learn how to ease the pain or, better, replace it with joy. I had to learn how to warm myself up.

    Now I’ve learned that it’s those people who missed out.

    I learned, from them, how to care for myself, how to validate myself. And perhaps most importantly: how to see myself.

    The idea that “I can’t rely on anyone else” sounds cynical without the follow up of, “I can rely on myself.” And that’s what I’ve learned to be able to do. It’s not just relying on myself for material needs but for emotional needs too. I can’t harbor ill will towards these people. It was their actions that revealed to me just how awesome I am, after all.

    One day last, I was in the waiting room of the cancer center not too long after I was diagnosed with breast cancer. I knew that a mastectomy was possibly in the cards for me. Another woman, a bit older than me, walked past me to her seat and I noticed that she had one breast. The top she was wearing made it very obvious: it was a stretchy knit with horizontal stripes. In other words, she wasn’t doing anything to disguise her mastectomy. She looked healthy and strong. She looked like she was just going about her daily business.

    Over the months since then, I’ve thought about that woman often. And I still feel, at times, a little bit uncomfortable with my new body. I worry that I’m going to make other people uncomfortable or that someone is going to ask me questions that I don’t feel prepared to answer. Still, I have to go out in the world. And so I think about that woman in the waiting room and how I didn’t even have to exchange words with her. Just her presence, being out in the world without apology makes me feel like I can do it too.

    Today, as I was walking my son to school, I noticed another woman doing a double take when she saw my chest. I started to reach for my shirt to straighten it out and make it less obvious. But then I remembered the woman in the waiting room, just going about her business and also that I had more important things, like chatting with my son to do. Thinking about the woman who was surprised by my uneven chest as I was walking home, I thought that the look on her face probably mirrored mine when I saw the woman wearing the striped shirt in the waiting room. And so I decided that perhaps the woman who was looking at my chest this morning maybe also was recently diagnosed or has a loved one who was diagnosed. Maybe me being out in the world without a breast reconstruction, without really trying to hide my lopsidedness, looking relatively healthy and strong … maybe my presence gave her a little spark of hope in a dark time. Just as the woman in the waiting room passed her candle flame on to me, I hope that I’m able to pass it on to other women.

    And so we carry on. One light at a time.

    ************

    If you enjoyed what you’ve read here, please check out other posts. Likes, shares, and reposts help get my writing out to where it needs to be. I’m also grateful for financial support. 

  • Read, Write, Redefine

    Daily writing prompt
    Write about a time when you didn’t take action but wish you had. What would you do differently?
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    I wish that twenty years ago, I had decided to read, write, and redefine on my own rather than going to an MFA program in creative writing.

    I learned recently that James Baldwin read through an entire library on his way to becoming the writer that he became. I wish I had done something similar. I certainly read a lot during my time in the creative writing program, sometimes as many as five books a week. But these were chosen by professors and instructors who were already, more or less, part of the literati. There were few women writers that we read. There were even fewer writers of color. For me, I was reading for the class I was in, to pass or, sometimes, to try to “impress” the instructor. I wish I had been reading for myself. I grew so used to reading for classes that once I was done with my MFA, it was many years before I started to read for pleasure. Even now, I sometimes have the thought while I’m reading that I’ll have to summarize or answer questions about it or respond to the writing in some way that will be acceptable to an instructor. I have to remind myself that I’m reading for only one person now: me.

    A similar thing happened to me with regard to my writing in my MFA program. All of the writing I was doing was for an audience outside of myself. I spent a lot of time and energy on trying to get it “right” and almost no time exploring, having fun, thinking my own thoughts. I was fixated on being a “good” writer, on receiving praise so that I never focused on what my writing was and was not doing for me. (Praise that I was never going to get.)

    At the time, I fell for the idea that I needed an MFA in order to write, in order to be “successful” and in order to have a community of writers. I thought that the degree would be a stamp of approval that would open up the world of writing and publishing. In other words, I’d fallen for an elitist way of thinking: hook, line, and sinker. I worked while I was in the program (three research fellowships) in exchange for tuition reduction. This was less time on my own writing. I spent hours and hours each work reading and responding to my classmate’s work. This, too, was time away from my own writing. And, honestly, it sometimes feels like that sort of workshop set up is actually just having students doing the professor’s work. I rarely received feedback from instructors that was truly, well, instructive. Each of them seemed to have an image in their minds of what was “good” writing and I either wrote towards that, earning accolades by the second or third submission when I’d decoded what they were looking for or, well, not.

    For one of my admissions essays I wrote, in all my earnestness, that I was looking for a “community” of writers. I didn’t realize that this was just me parroting what MFA programs claim to not only offer but exclusively so. I truly believed that these elite institutions were the only place that I could get support in my creativity. How naive! I’m sitting now, at my desk, with music on my phone, a scented candle lit, the sunlight hitting a handmade vase of flowers just so, the breeze playing with the grass and shadows playing with the outside my window. And all those many years ago, I thought that I had to climb into an ivory tower in order to access a creative community and the support I thought needed. Like I said: naive.

    So the last action I wish I had taken was: redefine. What do I wish I had redefined twenty years ago? Success, community, expression, support, reading, and, perhaps most of all, writing. I wish I had sat a minute and thought about what I really wanted and needed and that I had had the courage at the time to just give those things to myself rather than looking outwards to these institutions to give them to me. Well, here’s to hoping that it’s not too late to give those things to myself now.

  • Pen, paper, and the word of Doechii

    Daily writing prompt
    How has technology changed your job?
    View all responses

    I admit that one of my current struggles is taking my writing from pen and paper to the keyboard and screen. The problem is that I love my handwriting. And I love the physical sensation of putting ink on to the page of a notebook and watching the words unfurl. So much of writing is living inside my head with my own thoughts that the physical aspects of the process (the job) become magnified. As does my enjoyment of them. And my discomfort.

    When I do sit at the computer (as I am now) to write, it feels decidedly unnatural. I’m sitting upright in a chair (rather than curled up in a chair when I’m writing by hand). I never really know what to do with my wrists. And do I leave my bracelets and watch on or just kind of tuck them out of the way? Excuse me. I’m going to pause a moment here to change my pants to ones with an elastic waistband as I have suddenly become intensely aware of the stiffness of my jeans.

    Ok. Much better. But see what I mean?

    I have loads of handwritten poems and stories and essays and errant thoughts and musings, but until I can transfer them into my computer and send them out in the world, do they have meaning? I’d argue that, yes, they do have meaning. Very deep meanings. All that work, using seemingly outdated technology of pen and paper, has meant a great deal to me. And I’ve come to the recent realization that my job as a writer being meaningful to me and me alone is enough.

    I’m going to stop writing for a moment and think about that (in my awkward upright chair that I don’t really know how to sit in). All of those notebooks and scratchings? They reveal something. And it think it’s a life lived. Thoughts. Dare I say: a soul? It’s the cumulation of thoughts and moments and lessons and exchanges and interactions of a life and mind. But I could burn them all tomorrow, or today, and all of that would still exist. In fact, I’ve thrown out a good deal of my writing. Sometimes I’ve even burnt my writing ritualistically in moments of attempting to let go of something and perhaps to have a better understanding of the transient nature of life. Other times, I’ve just tossed out entire journals in a move or housecleaning. We can’t take it all with us.

    And servers can also go up in flames. Computers crash all the time. Even our technology cannot save us from impermanence.

    So the obvious question is why am I even writing on this computer, posting to this blog? Why use this technology that makes me physically uncomfortable when pen and paper bring me so much joy? And it’s an excellent question, one that I ask myself pretty much every day.

    The other day, I mentioned to someone that I’m a writer and she said offhandedly something along the lines of, “I guess with AI, there’s not really a need for writers anymore.” I wasn’t offended. This is the reality that writers, everybody with jobs that involve creating are up against right now. If we choose to be. The woman who was speaking is herself a visual artist and we all know that one of the first things that people did with AI when it became commonly available was to use it to render visual art and images.

    The easy answer would be that this blog, me posting to the internet regularly is a last stand against AI. But I’m not really a last-stand kind of person aside from the fact that I don’t think this is really a last-stand narrative that we’re in the middle of here. AI is just the most recent of many tools that have, in the wrong hands, been wielded against the better angels of humanity.

    When I write by hand, I am very much aware of what my body is doing and what my body is capable of. In other words, I feel very human in those moments. And when I say human, I mean all of it, the messy and the creative. I feel as though I am wading into the rivers of my source. Listen to Doechii’s track, “God”, on her album Oh The Places You’ll Go if you want more insight into what that’s like. She talks about her realization that her source is infinite and then the complementary thought that that means everyone’s source is infinite. Each person’s creativity is already limitless. Including mine. Including yours.

    And that is what pulls me out of the just “enough for me” existence. My job as a writer is to, yes, tend to my own humanity first and foremost but it’s also to tell the stories, to share the thoughts and connections, to announce, “I’m still alive and I’m a human” to whoever needs to hear it, and also and maybe even primarily to spread the word of Doechii.

  • More of this: a practice.

    Daily writing prompt
    What do you wish you could do more every day?
    View all responses

    The sun, the wind, the tree outside my window are working in concert to create a moving shadow on my computer monitor base and desktop. It’s a performance, directed by Mother Nature. On the other side of the window, blades of grass shimmy and shake to the beat of the breeze. It beckons a memory from before language: light and dark, movement, rhythm. I wish I could show you more of this every day so that together, we might feel the same raw, timeless innocence.

    A few months ago, I started to take guitar lessons. I’m going to not equivocate or judge my abilities. This isn’t about that. I try to practice every day and I enjoy it, immensely. Every so often, I am able to enter that coveted flow state with guitar where I am able to focus on that one singular task, moment, note, chord, song, skill for a moment or two. Maybe even a few minutes. I enjoy the routine of the daily practice: stretch, meditate, scales, work on the assigned piece, and maybe learning a few new notes or a cord. I enjoy that each day I can see a little bit of my progress and a deepening understanding.

    I recently figured out that the tempo I play a given piece is only as fast as my slowest transition. The same way a chain is only as strong as its weakest link. Rather than try to speed up the transitions that I most struggle with, I slow everything else down. This has allowed me to actually enjoy both the “easier” parts as well as the trickier ones. I can luxuriate in each note and cord, letting the easy, open notes ring a little longer. Inside those notes is where I find grace. This is where I learn that slow, fast. One is not better than the other. They just are.

    But I do not wish I could play more guitar everyday. In fact, each day, I set a timer and put down the guitar when it goes off. I do not obsessively try to “fix” whatever I’m working on. My goal is not to extend my practice to the length of the timer. My goal is to limit the time. And in doing so, I trust that there is always tomorrow’s practice. I trust my own faithfulness to the practice. I do wish that I could bring more of that trust throughout other parts of my day. Every day.

    I’m also finding time for exercise and movement each day. I do stretching and a few sun salutations when I wake up. (The moon was particularly beautiful from my kitchen window next to where I roll out my yoga mat this morning.) My dog and I enjoy a walk or two through the day. And this past month, I’ve started to integrate some Barre Empowered routines into my week. When I think about exercise, it’s something I kind of dread even though moving my body is something that I quite enjoy. And so I look for the moments of grace when I exercise too. Can I take it a little easier on myself today if I’m low on energy? Yes. Sure! I’m grateful for Maya, the founder of Barre Empowered, whose messaging is more supportive and, well, empowering than most exercise videos I’ve tried in the past.

    I don’t wish I could do more exercise everyday, but I do wish I could extend more gratitude to my body.

    I write, too, everyday. And I read, because otherwise my writing would just be a monologue rather than a conversation. Last year I read The Word: Black Writers Talk About the Transformative Power of Reading and Writing (edited by Marita Golden). In his chapter, Nathan McCall said, “Yeah, I had a notebook. You could buy little things from the canteen, and I bought a notebook and started writing down what I was feeling. Prison ain’t exactly the best place to be telling somebody your deepest feelings, talking about your pain. So I was writing stuff down. And I realized that it made me feel better, whatever I said, whether it was a paragraph, whether it was a page. Sometimes I would just write and it would be disjointed and everything, but it would make me feel better, So the more it made me feel better, the more I did it. Then the more I did it, the better I became at it. Then I began to see it become a challenge to get my feelings down with the depth and preciseness that I felt.”

    My wish is that everyday I believe in the value of my words, my feelings, my stories and my writing that emerges.

    Please support my writing here.

  • This is the post where I ask for tips…

    … beg for money but where I don’t come right out and just ask for it. Let’s start with a scene. Madison, Wisconsin. First warm day of spring. Class has just gotten out and so I cross library mall to State Street. The sound of a guitar reaches up and down the block around Gilman or maybe Gorham.  The scent of incense and patchouli and just a soupVon of weed is in the air, but this is not exceptional. This is just Madison. The outdoor seats are all full of people eager to enjoy the weather after a long Wisconsin winter cooped up inside. These are the moments that it felt like I could never take anything for granted.  

    Except for, I could and I was.

    When was the last time I lived someplace where I could encounter someone playing live music in public on just an average day? The city is too pricey and the suburbs where I do live don’t have that kind of culture. 

     A few months ago, my daughter and I were waiting for our order at our local filipino bakery when a man carrying a guitar and speaker approached us. I think he must have been performing out on the sidewalk before coming inside. But that area doesn’t really have a lot of foot traffic. He held out his cup to us and I put a few dollars in. “You want me to play you something?” We said sure and he warned us it was going to be loud, gesturing to the speaker he had just set down. Our halo-halo arrived before he could plug into his amp and we had to be on our way. That’s the last time I remember dropping a tip in a musicians jar. 

    Back in Madison, Catfish Stephenson, a musician who often played on State Street once told me that a big crowd is actually worse in terms of income. No one wants to step out of the crowd to throw money in. Or else everyone assumes someone else is going to do it. People just don’t know what the protocol was. Catfish always threw a few bills into his guitar case when he was first setting up and before he started to play. Get the ball rolling. Show them how it’s done. No one wants to be the first. 

    At the end of last year, I started taking guitar lessons. It’s fun. I enjoy it. I’m working on Let It Be. I’m not bad at it and I really enjoy it. It’s already paying off dividends. Just yesterday, I had a bit of a panic when I realized that a prescribed medicine I’d taken was counter-indicated for another prescribed medicine. I put a call into the answering service at the cancer center. “I’m going to go play guitar while I wait for the call,” I told my husband. I knew that I wouldn’t be able to focus enough to do my other calming activities like reading and it was raining too hard to go for a walk. 

    But it’s been two months that I’ve been working on Let It Be. Give me another month and I’ll be confident enough that I’ll be able to take it out to the sidewalk and open my guitar case for some dollar bills. But, well, it will be the only song I’ll be playing. I’m more likely to earn tips to make me stop. 

    The point being that I have an appreciation for the work, time, energy, and effort that goes into performing on the street. And I wish I had taken the time to appreciate it more when I was living in places where it was more commonplace, like Madison. 

    I hear that tipping culture has gotten out of hand these days. At least, that’s what people say. And to be honest, if my mother knew I was out here busking on these internet streets, she’d probably be pretty embarrassed. I don’t know. I don’t mind the opportunity to show my appreciation for the hard work that people are putting in. And I’ve never felt like I have to tip. It’s just a nice thing to do.