Rhena Writes

Category: Uncategorized

  • I’ll take this as a sign to book my next tattoo.

    Daily writing prompt
    What tattoo do you want and where would you put it?
    View all responses

    I just got my second tattoo Tuesday this week. It’s on my right forearm, where I can see it when I’m writing. That one is the words, “it’s something to do” in my handwriting. I heard the poet Nikki Giovanni say this at the beginning of a talk. The full quote was something along the lines of, “I’m getting old. I don’t mind. It’s something to do.” I was nervous often this past year in the lead up to different procedures, surgeries, biopsies, treatments, etc… and her words often came to mind. They calmed me. She calmed me.

    The artist Bibi Abelle drew this one. She’s local and does single needle tattooing. Her work is beautiful. I’d read in an article that she also had cancer. It’s comforting to be in the presence of someone who you don’t have to explain things to, especially when that person is doing something as intimate as drawing on your body.

    The tattoo didn’t involve a whole lot of planning. I wrote the words on a piece of paper with the pen she had out for me to sign the consent form. I didn’t even pull out my favorite (if you know you know) pens that I had in my purse. I was a little nervous. No. I think actually it was excitement. I’m finally in a place where I’m able to differentiate between the two. And maybe my hand shook a little as I wrote. But part of my promise to myself was just to write it, tattoo it. One and done. Extend myself grace. Whatever came out of my hand on to that piece of paper was going to be tattooed on me. Bibi did give me some options of different sizes and we discussed it. She said, “bigger is always better when it comes to tattoos.” So I went with a slightly bigger size. It seemed apt also as my eyesight is getting worse and it would be easier for me to see it and read it. Part of this whole experience was to accept my imperfections and to let go of trying to make everything perfect. That was achieved.

    As my daughter pointed out when I showed her my new tattoo, “It’s also the answer to the question, ‘why did you get a tattoo?”

    My first tattoo was only about ten or so days before my second and also inspired by Nikki Giovanni, who had the words Thug Life tattooed on her left forearm. I’ve read that she was inspired by Tu-Pac’s tattoo across his abdomen. Mine is the words, “Kung Fu Life” in archaic Chinese. Here are the themes that I pulled from Nikki Giovanni’s tattoo: reclaiming words that contain entire codes, lives, meanings, philosophies, and ways of being but have been weaponized against us and people who look like us.

    It was designed by Candy Wang who’s based in the other Washington (I’m near DC) so I was looking for someone local to do the tattooing. I found Ariyana Suvar who is about thirty minutes from me in Clarksburg, MD. The truth is that in the back of my head, I was also looking for someone who could do a large chest tattoo where my breast used to be. I’m not getting reconstruction. A tattoo just seems a lot more fun? Beautiful? Unique? Meaningful? Collaborative? All of the above. Ariyana and I first video chatted. One of the first things she asked is, “Are you Thai?” I think my jaw dropped because she quickly said, “I saw your last name on your email.” She then explained that she uses Suvar for convenience but that her actual last name is also a longer Thai one. Relatable. Not only are we both negotiating using our long Thai last names in spaces that aren’t generally very open to that sort of thing, but it turns out that one set of her grandparents are also from China and immigrated to Thailand just like mine. In spite of how countries might try to contain and control their borders, migration isn’t that unusual in most parts of the world. But if you can see that something bigger was at work here to place me in her tattoo studio to get my archaic Chinese characters on my arm, then you get it.

    Do you know what it’s like to spend most of your life having to “explain” (ie justify) your family’s history in almost every space you enter? Do you know what it’s like to, on the other extreme, have that same history be ignored in almost every other space you enter?

    At that same appointment, Ariyana started designing my chest piece. Turns out, I’m going to have to put it off until after summer is over because (cancer) reasons. I do not have the words to explain what it means to have someone, an artist, look at your changed and scarred body and see potential.

    This morning, I was thinking about writing a blog post today. It was really bothering me, this question of: what am I going to write today? I’m trying (see “it’s something to do” tattoo experience above) to be in the moment with all things, but perhaps most especially with my writing. I’m trying to shut out all the voices that demand perfection and meaning and beauty and profundity in every word and sentence and paragraph, the voices that tell me that the only way to write is to brainstorm and outline and draft and revise and edit and on and on and on and anything less is not worthy of being seen by anyone else.

    I am working on trust. I am working on trusting that if I show up to my notebook or computer, something will come. The thing that’s needed will be come. It’s in the returning. It’s in the faithfulness. It’s in trusting that I have practiced this, this putting on words on the page over and over.

    And so it was, that I came to my computer. And there was the question of the day. The thing that had already been on my mind.

    And that, friends, is why I’m off to book my next tattoo with Bibi, one in which I’ll show up at her studio at the appointed time and we’ll just see what comes up, what we decide needs to be put on my body in that moment and that time. And that, friends, is Kung Fu Life.

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  • Is a port just a port?

    I could feel something happening on my lower abdomen, close to my pelvis. I saw the blue paper a few inches from my face and lights and blurry shapes through the clearish plastic to my right. Nothing else. I heard the voices of the nurses and techs talking to each other and some music. I’m fine I told myself. This is just paper and plastic. I turned my head upward slightly to look at the opening to the paper and plastic just above where I was lying on the operating table. What if I push this whole thing off of me? I thought. Would I be able to? Can I even move my body? There is enough air, I reminded myself. Soon, I’ll have a sedative in my IV and this will all be fine, I thought. But what if I don’t make it that long? What if they’ve forgotten about me? Calming words started to escape from my brain, fleeing alongside logic. I heard a slightly louder voice from the other side of the room.

    “Are you just getting nervous over there?” Joy, the nurse, asked. Is she talking to me? How did she know? Words were still floating somewhere outside of my head and body, flitting about out there with its buddy logic, having abandoned feeling to be on her own inside my body.

    “Are you feeling nervous there?” Joy asked again. Oh! Maybe she is watching a screen. Maybe the screen tells her my heart rate and my respiration too. Maybe Joy is an empath. Maybe both and all of this is true.

    “I’m just feeling a little claustrophobic,” I croak from the operating table, trying to gauge how loud I needed to be in order to be heard through the paper and plastic sterile shield. Hands were quickly enlarging the opening, rolling the paper from above my head to eye level. My hot breath escaped and cooler air touched my face.

    “Something is on my body. I don’t know what it is,” I tried to explain the feeling of lying on a table and not knowing what’s being done to your body. But words were still on the lamb.

    A voice: “We use your body like it’s a table.” I shouldn’t be comforted by this, but somehow I was. It was the straightforwardness of it. This is your body. We are using it. For this purpose. And somehow it was comforting even though no one could see my face nor any of my skin even really (wrapped, as it is, in warmed blankets) save for the six or so square inches of my left chest, below my collar bone where the port has been situated ever since it was installed in a similar operating room at a different hospital eight or so months ago.

    One of the nurses leaned down so that he was eye level to me. “If you need something like that, you can tell us,” and he offered to take my glasses. I was grateful that he phrased his help and care in this way. He didn’t question why I didn’t say something, just offered.

    I thought that maybe I could hear the doctor who I met in the prep area an hour or so before enter the room. I could feel the IV in my left arm being fussed and fiddled with. It wasn’t painful and I knew that Joy was likely getting ready to push the sedative into my body and I could begin to anticipate the not caring. And then, perhaps, the greatest comfort, more so than having the drape pulled back so I could breathe, is when Joy said in her very serious voice, “nobody touches this patient until she is sedated.”

    Joy gets it.

    Another beat passed and I felt the cool liquid enter my vein. Soon, a bitter taste filled the back of my throat.

    “I can taste it,” I announced. Apparently, my words found and opening and returned back into my brain. So did logic.

    “That’s the sign of a good IV,” Joy assured me. “This next one is going to burn a little.” But already I didn’t care. Or maybe I almost wanted the burn, knowing that what would follow would be complete not caring. I barely even noticed when the doctor injected the numbing agent. Still, Joy assured me, “this is the worst part.”

    I thought I heard someone at some point say something like, “I’m sure the chemotherapy is the worst part.” And then clarified, “that’s some nasty stuff they give them.” Or something like that. But maybe I dreamt that part. In a way, I feel proud that I endured something that even a medical professional (and one who is currently cutting into my skin no less) acknowledges as awful.

    I could feel slight tugging at moments. And then someone held the port where I could see it. It was a purple triangular hunk of titanium bobbing a bit at the end of the thin, white plastic tube and covered in droplets of blood. My blood.

    “See?” Joy said. “It’s out.”

    “Can I take it to show my kids?” I asked her, still sedated.

    “No, my dear,” she responded. “This is biohazard.”

    “Yeah. I’ll just draw it for them,” I answer.

    “Just draw a line with a triangle at the end.”

    I thought I could hear bits of conversation. The surgeon and the nurse discussed the scar from when the port was installed. “If she scars, she scars,” the doctor said. I could feel the stitches going in. The right side of my chest, where my breast was removed a few months back, is entirely numb. No nerves there anymore. And I’m finally used to the odd way it feels to touch the skin and have no sensation.

    And like that, the surgeon was done and gone. Ten minutes they told me. Someone finished bandaging me up and then they took the “after” x-ray showing nothing to pair with the “before” x ray of the triangular port in place.

    When the port was first placed, it was uncomfortable and at times even painful. Still, it was better than the alternative of the chemo medicines burning the veins in my arms as they entered my body through an IV. And the discomfort didn’t last forever. At times, I even forgot I had a port, although I never really wanted to touch it, so disconcerting was the feeling of that bump of metal under my skin. I say that at times I would forget it was there, but those moments were brief. I wondered how much my body and mind had adapted to having this in me without me even realizing. After my chemotherapy treatments were complete, I still had to have the port flushed at least every six weeks. Tracking this, scheduling the flushes, getting to the office, all of that took a large amount of mental space. I wondered too, if my body was expending energy to accommodate my port in ways that I wasn’t aware. Would I feel different after having it out?

    It’s been two days now and I don’t know how different I feel. Is my energy flowing more smoothly on that side of my body? Maybe. I’ll give it some time. I’m still healing.

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  • Are you only one?

    For about a year in my twenties, I lived and taught in Karenni Refugee Camp #3 in Mae Hong Son, Thailand near the Burmese border. I lived in a house built by hand of wood and bamboo with a thatched-leaf roof. I loved by house. In the camp, I was often asked, “are you only one?” At first, I did not understand the question. But eventually I realized that “only one” meant “alone” and I discerned that the asked was also usually asking after both my physical state and my emotional one. Are you alone, yes, but also: “do you feel lonely?” During the beginning of my stay there, I did, indeed, live by myself in my two bedroom house. As a result, I was often physically without another person in the same shared space.

    But I very rarely felt lonely.

    This was, in part, due to the nature of the space there. The next closest houses were a good distance away from me, but because the houses were all made of bamboo and wood, I could usually hear my neighbors. We were also on the edge of a jungle, in a fairly remote area and so there was little white noise. No street traffic. No air conditioners. For a few hours on some evenings, there was a generator that would run the lights so that students could study, but even that wasn’t all the time. In the cities of North America where I’d lived prior to that, the ambient noise covered over sounds of life. In the camp, the primary sounds were of life: people talking and chopping wood, roosters crowing and pigs grunting. I could hear the bamboo floors bending as my neighbors walked on them or even shifted in their sleep.

    I think that maybe a reason my students and co-workers often asked if I was “only one” and my that meant “lonely” is that I must have radiated some sort of American-ness that was unfamiliar to them. In this community — as with many around the world I assume — togetherness was central to existence. How strange and off-putting my American pseudo-independence must have been! I cannot remember specifically, but I must have inadvertently pushed away bids at connection directed at me.

    I remember hearing at some point that if you come across an injured or sick baby animal in the wild, you aren’t supposed to touch it. The theory goes that your human scent will mark the animal and frighten away the mother who will then leave the baby to die rather than care for it. I feel as though, having been raised here, I was marked by some sort of American-ness that, in a strange reversal, covered over my human-ness. Fortunately, my students and the rest of the community didn’t leave me to die. I think that they were pretty quickly able to smell through whatever it was that I carried on myself. Or perhaps the well water washed it away. Either way, eventually some students moved into my house. The “only one” questions became less frequent as I was so rarely without companions.

    I’ve been thinking a lot about loneliness and being “only one” lately. I’ve read that America is facing an epidemic of loneliness and that it’s suspected that this is maybe in part due to people more often engaging with their phones rather than connecting with humans in-person. I don’t know about all of that. For me personally, being tethered to my phone makes me feel more lonely. When I am able to step away from my phone, I feel less lonely even when I am physically alone. I suspect that having lived in a community like the one in Karenni Refugee Camp #3 inoculated me against feeling lonely even now all these many years later and in the middle of a loneliness epidemic. Such that even when I’m only one, I’m never really only one.

  • What needs to be written?

    This is a place of personal acceptance. What happened that this place became necessary?

    Many years ago I attended an MFA program in creative nonfiction writing. I won’t go into too many details about the program. I entered in bright-eyed, engaged, and optimistic. I was going to become a WRITER and this program was going to get me there. Suffice it to say, that’s not what happened. It was only years later that I realized just how cut-throat and toxic that whole setting was.

    Here, let me share with you one experience. I wrote and submitted a piece to a workshop. It was a long piece, maybe fifty pages. I was nearing the end of my access to getting feedback on my work and I wanted to get as many eyes on my writing as I could before I would be on my own writing my thesis. The comment that I received from the professor was that it was a disaster, so disorganized that she couldn’t even read it. At the time it didn’t cross my mind that if that was the case, how did she know it was a disaster. My only solace was that there was one other student in the class who received more or less the same feedback. In fact, the professor gave us the feedback simultaneously. We were both women of Asian descent.

    After workshops, we scheduled meetings with our professors to go over the work one-on-one in more detail (or something like that). To pour salt in the wound, this professor wanted to schedule our meetings at her apartment. I think that this was supposed to be some big deal: like the professor was so gracious as to welcome students into her home. But this professor lived across town. And most students lived near the university. After I scheduled the meeting with her at the end of the workshop, she turned to schedule with the other student who had received the same “this was unreadable” comment. The other student said something along the lines of, “if you weren’t able to read it, then there’s nothing to talk about and no need for a meeting.”

    Damn. I wish I had thought enough of myself to do the same. But I didn’t. I think part of me still thought I would show up to the meeting and, I don’t know, she would have changed her mind? Or she would have read it in the meantime and had more, you know, helpful things to say? Needless to say, she didn’t. When I was younger, I was always giving the wrong people second chances.

    I must have trekked across town because I remember sitting in her apartment with a cup of tea which she had offered and I had accepted because I thought that was the right thing to do. She couldn’t find a saucer or small plate and I told her it was fine. And I remember she said, “isn’t the tea bag going to bump against your lips?” And it was such a weird concern to me. Like, if you’re so worried about that, then just find a fucking plate or bowl for me and let me make the decision. And also, “you’re so worried about my lip coming in contact with a fucking tea bag when what you should be thinking about is the tens of thousands of dollars in tuition that I’m paying for you to read my fucking pages and have something helpful to say.”

    But, honestly, I didn’t have those thoughts until much later.

    “Pretty hard to hear feedback like that?” she said to me.

    “Oh no. It’s fine.” I might have low enough self worth that I was willing to cross the entirety of this island city on the off-chance that this person who had already proven herself to be unable to do her job was going to redeem herself, but I wasn’t going to break down in her apartment. Somehow, part of me thought that maybe that’s what she was trying to do? I implicitly (and wrongly) trusted professors and teachers and assumed that there must be some sort of greater plan or lesson behind this whole interaction. There wasn’t.

    This whole incident was one of the most obviously toxic moments of my MFA program, but there were other ones. The cumulative effect of these small jabs is that I really struggled with my writing and, as a result, my self worth. I hate that these individuals had so much say in how I valued myself.

    I’d like to end this post with some sort of redemption arc for myself. But, also, it’s necessary to sit with these moments of pain and toxicity, allow them to move through before jumping into “light and love.” Not everything is linear, which would be boring anyway. Besides, maybe where I want to end this post is actually where I started it.

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  • On AI, John Henry, Likes, and Views

    I have a few pages of handwritten notes for this post and yet I struggle to make the transition from drafting in pen to typing on the computer. When my older daughter was attending school virtually, she made friends with people over google docs. It is her generation’s version of passing notes. She commented once, as she sat in our basement on her computer watching her classmate type a letter to her, live, “You can learn a lot about a person from how they type.” I remembered being in school myself and how familiar I was with my classmate’s handwriting and how much it could, in fact, reveal so much about a person. It’s a different era now. And perhaps this is in part why I struggle to convert from hand to computer. 

    I also remember a song that we learned in school. “John Henry was a steal driving man, oh lord, …” I don’t remember much else from the song except that the final line was something like, “… he laid down his hammer and he died, oh Lord, yes, he laid down his hammer and he died.” I could probably look up the rest of the lyrics and listen to the song and I’d be able to give you a fuller picture of John Henry and the song and my experience with it, but somehow, that feels like it would be a lie. I’m trying to give you the truth of what I can currently recall, which isn’t much, but it’s real.

    I remember learning the song in elementary school. Maybe in the gym/lunch room. Maybe in the wood floored music room/ stage, the one with the cool storage loft with the spiral staircase we weren’t allowed to go up except for special times when we were helping retrieve props, instruments, costumes, or other flotsam and jetsam. Probably both the gym and the music room. Anyway. We were a small, mostly white school in a very white section of a very Black city. Were we taught that John Henry was a hero? I guess we were singing the song that heralded him as such. But I also remember feeling very sad that he’d died at the end. It seemed as though he had worked himself to death. And even though he was also very strong and courageous and determined, did he really defeat the machine if he ended up dead anyway? It was a lot for a kid to make sense of. Even as an adult, it’s still a lot to think about.

    Apparently, the difference between the steam digging machine and John Henry was that the drill kept getting jammed up with all of the rock and stone. In other words, the machine needed to be cleared by hand. It wasn’t just that John Henry was strong, it was that he was able to think and problem solve as he went along. He used his brain, his strength, and what he had learned digging other tunnels. 

    I read once that it’s possible that John Henry was a real person. An historian found a person with the same name on a list of incarcerated men at a prison nearby where it’s believed that John Henry took on the machine. The song that I’m familiar with suggested that he worked so hard to beat the steam drill that his heart gave out. What more likely happened is that he died some time later from the cumulative effects and exposures related to digging tunnels through mountains and hillsides. Tow-may-tow. Tow-mah-tow. I guess.  

    I am not comparing myself to John Henry, but sometimes I feel like his ghost haunts my struggles as I try to move my thoughts from pen and paper to machine. I’m not trying to out-do my computer but I am aware of the existence of AI which has made me somehow even more desperate to assert my humanity from behind this screen. 

    I wrote last week about how I deleted my social media a few months ago and how it made me feel more grounded and more connected to people and in-person community. I never had comments turned on on this blog.  And last week, I turned off email notifications for likes. I stopped checking stats, likes, and views. Prior to this, I had been checking often. And I felt myself starting to bend what I would think about and therefore what I would write towards getting more likes and views. In other words, I was thinking, “how can I get more – or any – likes and views on what I’m writing” rather than just writing. I was like the steam drill, getting jammed up in the very stones and rocks I was trying to remove. 

    The first few times I checked my email after turning off the notifications, I had forgotten that I was not longer receiving them. In my forgetting, I felt a little sad for a moment. But in the next moment, I remembered and a whole world of possibility opened up. What if I’d gotten 10,000 likes? It didn’t matter whether that was the reality or not. I could imagine it and so it was true where it mattered: in my mind. 

    When I imagine John Henry, I do not see him looking over at the machine. I see him focused on his task at hand. Part of me thinks that for him, it wasn’t really even a competition. It was that the steam drill inventors stuck their contraption next to him. It was doing its thing over there and John Henry was doing his over here. The company men were the ones who wanted to have a competition. For John Henry, it was just another day on the job. I wonder if he even thought it was something he was good at. Did he know he was going to become an American folk hero? Was he imagining songs being written about him? Probably not. I think he was just here to do the work. I hope to do the same.  

    Even though I don’t see them, I still appreciate shares, likes, and views. I also appreciate (and see!) tips. Show your appreciation for this hard working writer here at my ko-fi page. Thanks!

  • This is the post where I ask for tips…

    … beg for money but where I don’t come right out and just ask for it. Let’s start with a scene. Madison, Wisconsin. First warm day of spring. Class has just gotten out and so I cross library mall to State Street. The sound of a guitar reaches up and down the block around Gilman or maybe Gorham.  The scent of incense and patchouli and just a soupVon of weed is in the air, but this is not exceptional. This is just Madison. The outdoor seats are all full of people eager to enjoy the weather after a long Wisconsin winter cooped up inside. These are the moments that it felt like I could never take anything for granted.  

    Except for, I could and I was.

    When was the last time I lived someplace where I could encounter someone playing live music in public on just an average day? The city is too pricey and the suburbs where I do live don’t have that kind of culture. 

     A few months ago, my daughter and I were waiting for our order at our local filipino bakery when a man carrying a guitar and speaker approached us. I think he must have been performing out on the sidewalk before coming inside. But that area doesn’t really have a lot of foot traffic. He held out his cup to us and I put a few dollars in. “You want me to play you something?” We said sure and he warned us it was going to be loud, gesturing to the speaker he had just set down. Our halo-halo arrived before he could plug into his amp and we had to be on our way. That’s the last time I remember dropping a tip in a musicians jar. 

    Back in Madison, Catfish Stephenson, a musician who often played on State Street once told me that a big crowd is actually worse in terms of income. No one wants to step out of the crowd to throw money in. Or else everyone assumes someone else is going to do it. People just don’t know what the protocol was. Catfish always threw a few bills into his guitar case when he was first setting up and before he started to play. Get the ball rolling. Show them how it’s done. No one wants to be the first. 

    At the end of last year, I started taking guitar lessons. It’s fun. I enjoy it. I’m working on Let It Be. I’m not bad at it and I really enjoy it. It’s already paying off dividends. Just yesterday, I had a bit of a panic when I realized that a prescribed medicine I’d taken was counter-indicated for another prescribed medicine. I put a call into the answering service at the cancer center. “I’m going to go play guitar while I wait for the call,” I told my husband. I knew that I wouldn’t be able to focus enough to do my other calming activities like reading and it was raining too hard to go for a walk. 

    But it’s been two months that I’ve been working on Let It Be. Give me another month and I’ll be confident enough that I’ll be able to take it out to the sidewalk and open my guitar case for some dollar bills. But, well, it will be the only song I’ll be playing. I’m more likely to earn tips to make me stop. 

    The point being that I have an appreciation for the work, time, energy, and effort that goes into performing on the street. And I wish I had taken the time to appreciate it more when I was living in places where it was more commonplace, like Madison. 

    I hear that tipping culture has gotten out of hand these days. At least, that’s what people say. And to be honest, if my mother knew I was out here busking on these internet streets, she’d probably be pretty embarrassed. I don’t know. I don’t mind the opportunity to show my appreciation for the hard work that people are putting in. And I’ve never felt like I have to tip. It’s just a nice thing to do. 

  • The second time they ask, “Where are you from?”

    “No. Where are you really from?”

    It’s in the “no.”

    Or it’s in the really.

    Or it’s in the emphasis on from.

    It’s in the asking the question the second time.

    It’s in the way they mean to say my first answer wasn’t correct.

    As if to say, “You don’t know yourself.”

    As if to say, “I do.”

    As if to say, “Nobody is where you’re from.”

    As if to say, “You have to have come from someplace else.”

    As if to say, “Being born here isn’t enough. How many generations back can you go?”

    As if to say, “Ooooooh. So exotic.”

    As if to say, “Ching chong ling long. Do a little dance. Sing a little song. You know kung fu? Pad Thai? Hoochie coochie? Ho-chi-minh?”

    What do you know about skipping stones in the Rock Creek?

    What do you know about the smell of warm track grease inside a windy underground tunnel?

    What do you know about working the walls in a hot high school gym under cowbells and congas?

    Because even without these bona fides…

    …if you know…

    …you know…

    where I’m from.

    Daily writing prompt
    What is one question you hate to be asked? Explain.
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  • Failure? I don’t know her.

    The only failure I’ve observed is on the part of the editors, agents, judgy mcjudgers, publishers, et al who have failed to see my writing as the gift that it is. Their loss, my gain. In other words, the bouncers were so busy keeping people out that they failed to see that outside is where the real party is happening. As for me? I stopped looking for their approval and started approving of myself and here we are. So, yeah, that’s a success by another name.

    Daily writing prompt
    How has a failure, or apparent failure, set you up for later success?
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  • Final Fire

    I spent a portion of last weekend high off of a few sunny, warm days. I directed this new energy towards organizing a little around the house and setting goals for exercising and writing on my computer in my office closet on Monday. A classic case of early spring energy. But when Monday rolled around, the forecast indicated that it wasn’t going to get out of the forties. Fifty and above is our top end cut off for fires in our wood stove. So, change of plans. Or should I? Could I enjoy a fire and also make good on all my ambitions? Could I just write on my ipad in front of the computer? Could I do a work-out in front of the stove? I could… but I didn’t want to. The glow of the screen is the very antithesis of the one emitted from a fire. I knew I couldn’t truly cultivate hygge with an iPad and exercise sweat. 

    I threw aside my plans for a “productive” day, ignored the obnoxious voice in my head saying that I was being lazy, built a tower of logs and kindling and ignited one of our homemade starters. I tucked myself into the couch for a day of alternately reading and staring into the flames. It was a lovely, luxurious, morning. 

    It was an unusually cold winter here in Maryland. One furnace went out during a cold snap so we’ve been using and relying on the wood stove a lot. We have two furnaces, so it wasn’t as dire it might seem at first glance. Using a wood stove for a heat source is this lovely balance of yin and yang energy. Cleaning the stove, chopping kindling, carrying the wood inside, and building the fire are all yang. The sitting back, admiring the fire, and resting in its warmth? That’s yin. 

    One of the cold stretches was right when I was recovering from my mastectomy. The snow fall meant the kids were home from school. Having them around helped me heal faster. (My surgeon said I didn’t look like someone who had just had surgery at my follow up.) And I’m confident that the snow alleviated some of the guilt I might have felt over taking time to rest and recover. 

    And so I’m grateful that mother nature sent us one last coldish day to enjoy a fire. But as the morning turned into afternoon, it grew warmer than I’d expected and I let the fire die out. My husband mentioned that it’s always nice to have a fire once it’s dark outside. (We’d lost electricity for about an hour on Saturday evening in the middle of dinner and we were all surprised at how much light the wood stove provided once we’d lit it in the complete darkness.) So I attempted to get it started again once the sun had set. The fire was finicky by which I mean that it smoked to the point that I had to open the sliding glass door. Eventually, though, we got to enjoy another nice flame. But it somehow seemed perfect that our last fire would be so imperfect, so troublesome in a way. It was as if mother nature was reminding me that there’s a time and season for everything, lest in my longing for beautiful fires in our woodstove, I miss her other gifts and blessings. 

    My six-year-old son was home sick a few days this week. He asked to go for a walk. We searched for signs of spring and found snow drops, crocuses, robins, and onion grass. The next day he observed that the snow drops looked different. They’d opened overnight. He held up his hand, letting three fingers droop to illustrate how they’d changed. As much as I love the fires, I also love to see what’s there when the smoke clears. 

    This is not paid advertisement, but if you are looking for a wood stove, this one is great and it’s one of the few that’s EPA approved to burn with lower particulate emissions.

    Also, not a paid ad, but if you are looking for fireplace and wood stove installers and maintenance in the DMV, I cannot say enough about Traditions Chimney Sweeps.

    If you enjoyed this or any of my other writing, please drop a tip in my bucket. Thanks!

  • Heart of Empire

    Daily writing prompt
    You’re writing your autobiography. What’s your opening sentence?
    View all responses

    I only consider my invisibility a super power because of where I grew up: the heart of empire.